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What about protection for audiovisual performers? The WIPO Beijing Treaty adopted on June 24, 2012 recognises performers’ rights in their audio-visual performances (i.e. films, TV programs and multimedia) and gives them moral rights and economic rights – including the exclusive rights of reproduction, distribution, rental and making available of fixed performance.
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BetaThe Acts gave a Board or agency (the Government Protector) comprehensive powers to regulate every aspect of Aboriginal people’s lives – from whether they lived on reserves, worked, had wages and entitlements withheld (now known as Stolen Wages), owned land, to their personal relationships and contact with family and community.
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BetaIn September 2011, WIPO’s General Assembly decided to convene a diplomatic conference in 2012 to agree the proposed treaty on protection of audiovisual performances. If adopted, the treaty will extend performers’ rights against unauthorized use of audiovisual performances to films and videos available on the internet, along the lines of the 1996 WPPT.
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BetaPRACTICAL PROTECTION Performers have faced a number of new challenges concerning their rights in the digital world. The Internet is increasingly a popular medium through which to market and distribute music, at a fraction of the cost of more traditional means. The ease at which we can upload, download and share our work comes with ...
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BetaIt was enacted through a single clause included in many of the so-called “protection” Acts that were passed by every state from the late nineteenth century on, and which allowed the government to control the lives of Aboriginal and Torres Strait Islander people. ... Acts in New South Wales, Queensland, the Northern Territory, ...
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BetaHowever, the committee focuses on the protection Acts as they represent the introduction of systematic controls over employment and wages. Common features of the protectionist regimes [3] 2.4 By 1911 the Northern Territory and every state except Tasmania had a protection Act, giving the Chief Protector or Protection Board extensive power to control Indigenous people.
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BetaThe 1915 amendments to the Aborigines Protection Act 1909 gave the New South Wales (NSW) Aborigines Protection Board the power to remove any Indigenous child at any time and for any reason.. The phrasing of one amendment was so broad as to enable any interpretation by the Board’s inspectors, and led to thousands of Indigenous children being taken from their parents on the basis of race alone.
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BetaPerformers' rights are a crucial aspect of the entertainment industry, ensuring that artists, musicians, actors, and other performers are protected and compensated for their creative contributions. These rights encompass a wide range of legal and ethical considerations, and understanding them is...
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BetaProtecting Performers from Common Stage Safety Issues In the U.S, OSHA does not have industry specific standards for the entertainment industry. Generally, the entertainment industry would be covered under the general industry standards for the specific issue, e.g., working at heights.
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BetaThe protection of performers’ rights varies significantly across different national jurisdictions, reflecting the diversity of legal systems and cultural contexts. In the United States, performers navigate a complex landscape of federal and state laws, with significant reliance on contractual agreements and common law principles. The United ...
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